Joker : Folie à deux 2024

5.8 /10
878 Votes

Arthur Fleck, alors interné dans l'asile d'Arkham, attend d'être jugé pour les crimes qu'il a commis sous les traits de Joker. Déchiré entre ses deux identités, Arthur ne trouve pas seulement le grand amour, mais aussi la mélodie qui a toujours sommeillé en lui.

Videos & Photos

All 3 Videos & 70 Photos

... Arthur Fleck

... Lee Quinzel

... Jackie Sullivan

... Maryanne Stewart

... Sophie Dumond

... Paddy Meyers

... Harvey Dent

... Gary Puddles

... Dr. Victor Liu

... Ricky Meline

User reviews

See All 6 Reviews

A review by CinemaSerf

5 October 2024

I was going to go and see the first Joaquin Phoenix outing as the "Joker" (2019) to remind my self of who did what to whom, but I didn't have time. I think I am glad because I recall that being so very much better than this. Here, we pick up after "Fleck" (Phoenix) has been on his clown-faced slaughtering spree and is in prison supervised by prison officer "Jackie" (Brendan Gleeson). His lawyer "Maryanne" (Catherine Keener) is trying to have him declared competent to stand trial for his crimes so she can plead some sort of personality disorder defence - he's not "Fleck" when he's the "Joker" sort of thing. Thing is, he encounters "Lee" (Lady Gaga) at a prison sing-a-long and she manages to ingratiate herself with him and then to derail that plan ensuring the plot twists it's way into the courtroom where his conviction for multiple homicides quickly appears as inevitable as there being a song in the film. Now I did like the soundtrack, but by the way Todd Phillips has presented this, it might as well have been either Tony Bennett or Newley who took on the leading role as her part is largely a series of entertainingly photographed music videos with the thinnest slices of meat constituting a weak story in between. It's a love story, I suppose, but that wasn't really what I turned up to see. There's loads of excess, but no menace or jeopardy and the character's previous adeptness at treading the thin line between sanity and madness isn't really developed at all here. He comes across more as a pathetic, emaciated, prisoner whose flame has well and truly gone out. His legal antagonist (Harry Lawtey) looks about eleven years old but that doesn't really matter either as the judicial proceedings themselves offer us little by way of sustaining drama, even as we build to a denouement that offers the tiniest bit of hope then... It's a stunning piece of cinema, money has been spent and there's imagination a-plenty from the production's designers. It's just too much of a jigsaw of a film with too little plot serving as a vehicle for an album boxed-set that's doubtless ready to hit the shops.

Director:

Todd Phillips

Writer:

Scott Silver, Todd Phillips

Stars:

Joaquin Phoenix, Lady Gaga, Brendan Gleeson

Genres:

Crime, Drame, Thriller

Release Date:

October 1, 2024

Run Time:

138 min

Reviews of

Joker : Folie à deux

CinemaSerf

A review by CinemaSerf

5 October 2024

I was going to go and see the first Joaquin Phoenix outing as the "Joker" (2019) to remind my self of who did what to whom, but I didn't have time. I think I am glad because I recall that being so very much better than this. Here, we pick up after "Fleck" (Phoenix) has been on his clown-faced slaughtering spree and is in prison supervised by prison officer "Jackie" (Brendan Gleeson). His lawyer "Maryanne" (Catherine Keener) is trying to have him declared competent to stand trial for his crimes so she can plead some sort of personality disorder defence - he's not "Fleck" when he's the "Joker" sort of thing. Thing is, he encounters "Lee" (Lady Gaga) at a prison sing-a-long and she manages to ingratiate herself with him and then to derail that plan ensuring the plot twists it's way into the courtroom where his conviction for multiple homicides quickly appears as inevitable as there being a song in the film. Now I did like the soundtrack, but by the way Todd Phillips has presented this, it might as well have been either Tony Bennett or Newley who took on the leading role as her part is largely a series of entertainingly photographed music videos with the thinnest slices of meat constituting a weak story in between. It's a love story, I suppose, but that wasn't really what I turned up to see. There's loads of excess, but no menace or jeopardy and the character's previous adeptness at treading the thin line between sanity and madness isn't really developed at all here. He comes across more as a pathetic, emaciated, prisoner whose flame has well and truly gone out. His legal antagonist (Harry Lawtey) looks about eleven years old but that doesn't really matter either as the judicial proceedings themselves offer us little by way of sustaining drama, even as we build to a denouement that offers the tiniest bit of hope then... It's a stunning piece of cinema, money has been spent and there's imagination a-plenty from the production's designers. It's just too much of a jigsaw of a film with too little plot serving as a vehicle for an album boxed-set that's doubtless ready to hit the shops.

YearOneFun

A review by YearOneFun

5 October 2024

both **JOKER** movies were clickbait. he is not the joker & she is not Harley. (they are Arthur & Lee) 🤮**that's what you get for overhyping first movie!** 😂🤣

Manuel São Bento

A review by Manuel São Bento

5 October 2024

FULL SPOILER-FREE REVIEW @ https://talkingfilms.net/joker-folie-a-deux-review-an-ambitious-musical-failure/ "Joker: Folie à Deux holds immense technical and artistic merit, but it fails to replicate the success and impact of the original. Todd Phillips’ boldness in turning the film into a musical is admirable, but the execution ends up being incoherent, with abrupt transitions between the dark drama and the musical numbers, resulting in a jarring experience, made even more frustrating by the studio’s embarrassing secrecy about the movie’s format. While visually impressive and with standout performances from Joaquin Phoenix and Lady Gaga, the lack of thematic and character development makes this sequel an ambitious yet ultimately disappointing attempt that adds little to the thought-provoking study presented in 2019." Rating: C-

Brent Marchant

A review by Brent Marchant

6 October 2024

Combining movie genres can be tricky business. When the mix is right, the outcome can be truly impressive, but, when it’s off, it can spell cinematic disaster. In the case of this long-awaited sequel to the 2019 box office and critically acclaimed success, unfortunately, the result is closer to the latter than the former. Picking up where the protagonist’s story left off, this saga about charismatic villain Arthur Fleck (a.k.a., the Joker) (Joaquin Phoenix) finds him in prison awaiting trial for his string of heinous crimes. Most of the picture’s first half takes place here, an unlikely venue for Arthur meeting the love of his life, the psychopathic Lee Quinzel (a.k.a., Harley Quinn) (Lady Gaga), who diligently stands by her man when he eventually goes to court, the primary focus of the film’s second half. So, at this point, the picture is already part prison film, part courtroom drama and part dark romance. But, if that weren’t enough, writer-director Todd Phillips draws upon a fourth genre – musicals – to make the mix even more overstuffed (but, hey, if you’ve got a talent like Lady Gaga at your disposal, why not, right?). The result is a convoluted, overlong, often-uninteresting offering that’s heavy on style but weak on substance and not especially interesting. Admittedly, the performances of the two leads and many of the supporting players (Brendan Gleeson, Catherine Keener and Steve Coogan in particular) are quite good, doing a more than commendable job of making this material look far better than it actually is. In addition, stylistically speaking, the picture is terrific when it comes to its production design, costuming and cinematography. And the soundtrack is great, too, including an array of superbly chosen standards to complement the narrative (even if there are a few too many selections). But these strengths by themselves aren’t enough to make a good picture overall; what’s stuck in between these elements feels more like filler than substance, and that’s where the movie falls apart. In my view, “Joker: Folie à Deux” isn’t as resoundingly awful as many reviewers have made it out to be in light of its artistic and aesthetic accomplishments, but that doesn’t mean this release is not without its share of problems, most notably in the dreadful writing and mishandled film editing. This is one of those pictures where you get to the end and are likely to heave a heavy “Ho hum, so what?” And that’s regrettable, given that the character and this picture’s predecessor both deserved better than what this follow-up has to offer. If you haven’t seen this yet, you might be better off sticking to the picture’s genuinely stellar trailer, as that’s ultimately much better than most of what’s found in this clunky 2:18:00 release.

biancarockr

A review by biancarockr

13 October 2024

Was this a Lady Gaga's special? What a joke.

r96sk

A review by r96sk

18 October 2024

Great title, great movie. I had heard tiny bits about 'Joker: Folie à Deux' falling below expectations since its release, though they weren't substantial enough to know if the film was any good or not. I have to say, I really enjoyed watching it all play out. It admittedly isn't on the same level as the phenomenal predecessor, but that's OK - I wasn't expecting it to be. I will say that making this a musical of sorts was a bold choice, it wouldn't have been the direction that I would've went with it but to be honest I thought they executed it nicely. I presume that is one reason many didn't like this, as well as possibly the lack of craziness that seemed like it was on the horizon based on the 2019 flick. For me, mind, it all works. Joaquin Phoenix is as excellent as anticipated in his reprisal as Joker, while Lady Gaga is a neat piece of casting for Lee - obviously her music chops for one, though I do enjoy her acting too. Lee perhaps could've been used more, but what we got is more than sufficient in my opinion. Brendan Gleeson, elsewhere, does well in a more minor role. Is is slightly overlong? Possibly. Did we need a sequel? Probably not. All I can confirm is that I had a positive time viewing it, so I can't harbour any noteworthy complaints. It's a shame to now read that this film has seemingly bombed in more ways than one. C'est la vie.

Cast & Crew of

Joker : Folie à deux

Writing

... Characters

... Characters

... Characters

... Writer

... Writer

... Characters

... Characters

Production

... Producer

... Producer

... Producer

... Executive Producer

... Unit Production Manager

... Unit Production Manager

... Casting

... Executive Producer

... Executive Producer

... Executive Producer

... Executive Producer

... Co-Producer

... Casting

... Executive Producer

... Executive Producer

... Executive Producer

... Co-Producer

Editing

... Editor

Costume & Make-Up

... Makeup Artist

... Makeup Artist

... Key Hair Stylist

... Makeup Designer

... Makeup Artist

... Makeup Artist

... Makeup Artist

... Makeup Artist

... Key Makeup Artist

... Hair Designer

... Makeup Artist

... Makeup Artist

... Costume Supervisor

... Costume Design

Directing

... Second Assistant Director

... First Assistant Director

... First Assistant Director

... Second Assistant Director

... Director

Crew

... Stunt Coordinator

... Executive Music Producer

... Stunts

... Stunts

... Special Effects Technician

... Special Effects

... Special Effects

... Special Effects Technician

... Special Effects Coordinator

... Special Effects Technician

... Special Effects Technician

... Stunts

... Choreographer

... Stunt Double

... Utility Stunts

... Stunts

... Stunts

... Stunt Double

... Stunts

... Stunts

Sound

... Sound Mixer

... Utility Sound

... Boom Operator

... Original Music Composer

... Music Supervisor

... Music Supervisor

... Supervising Sound Editor

... Music Coordinator

... Music Consultant

... Sound Re-Recording Mixer

... Sound Re-Recording Mixer

Art

... Assistant Property Master

... Location Scout

... Location Scout

... Set Designer

... Production Design

... Art Direction

... Set Designer

... Set Designer

... Set Dresser

... Art Direction

... Art Direction

... Art Direction

... Art Direction

... Supervising Art Director

Camera

... First Assistant "A" Camera

... Best Boy Grip

... Director of Photography

Visual Effects

... Animation

... Visual Effects Producer